Sunday, September 17, 2023

A Look at Büscher and Fletcher's "The Conservation Revolution"

It was with great interest that I picked up Bram Büscher and Robert Fletcher's "The Conservation Revolution" from the library. Subtitled “Radical Ideas for Saving Nature Beyond the Anthropocene” and coming in at around 200 pages, it looked like just the book I’ve been looking for: compact, readable, and full of new ideas.

Suffice it to say, I was not disappointed. Their biggest achievement is perhaps laying out the current landscape in a clear manner, white exposing the deficiencies of current approaches and alternatives on the table. This is done by going to the conceptual roots of the problem, and not merely looking at praxis.

They also offer their own alternative, which they call “Convivial Conservation,” and while it is intentionally left not put forward as a fully developed solution, it does hold promise in my view.

In this blog post I touch on some of the book’s key themes in the hope that other readers might be encouraged to pick it up and hear its call.

 

Overview

I will start with a quick overview of the key themes, and then go chapter by chapter to explore how the themes are explored. However, if you read nothing else, the overview should give you a good idea of what the book is about.

The Capitalist Quagmire in Mainstream Conservation

The book begins with a fairly scathing critique of mainstream conservation efforts, which are increasingly entangled with capitalist ideologies. This marriage of convenience between capitalism and conservation has led to the commodification of nature, epitomised by the concept of "natural capital." Put that way it becomes fully obvious that such an approach is fundamentally flawed. Not only does it ultimately serve capitalist needs, but it also fails to address the root causes of biodiversity loss and instead perpetuates the very systems that lead to environmental degradation.

Radical Alternatives and Their Limitations

Büscher and Fletcher don't just stop at critiquing mainstream conservation; they also scrutinise radical alternatives like "new conservation" and "neoprotectionism." While these approaches challenge the status quo, they too are fraught with contradictions. For instance, they often neglect the historical intertwining of capitalism and the nature-culture dichotomy, a relationship that has shaped our understanding and treatment of the natural world.

Indeed, this is one of the book's key insights. Conservation emerged as a counterforce to the destructive tendencies of capitalism but often ended up reinforcing the very dichotomies it sought to dissolve. This complex relationship between capitalism, culture, and nature necessitates a more nuanced approach to conservation—one that addresses these interlinked dynamics.

Neither of the two contemporary alternatives escape this dichotomising, although “new conservation” is ultimately deemed the more culpable of the two. We’ll return to this critique later.

Convivial Conservation: A Postcapitalist Vision

At the heart of the book is the authors' proposal for "Convivial Conservation," a coherent postcapitalist, nondualist alternative vision. This approach calls for a comprehensive strategy that targets power across different scales (local, national, and global), actors (from local communities to global corporations), and timeframes (both short-term reforms and long-term systemic transformations).

The Need for Holistic Change

The book argues that real change requires a holistic approach that connects immediate actions to the broader struggle for systemic change. This involves redistribution, degrowth, and democratic governance as essential components to transform conservation. It also calls upon critical scholars to move beyond mere critique and to help construct alternatives, aligning themselves with broader movements for social and environmental justice.

Now let’s take each chapter in turn to see how their argument progresses.


Introduction

The Introduction soon makes it evident that we are at a pivotal moment in the history of conservation. Büscher and Fletcher make it clear that a revolution in conservation is not just imminent but necessary. This urgency is driven by the existential threats we face—climate change and biodiversity loss—that demand a radical overhaul of how we approach the conservation of nature.

The Inadequacy of Mainstream Conservation

The introduction sets the stage by critiquing mainstream conservation, which has been primarily focused on creating protected areas and commodifying nature into "natural capital." Such approaches, the authors argue, are no longer sufficient to address the complex and interlinked challenges we face:

"Without directly addressing capitalism and its many engrained dichotomies and contradictions, we cannot tackle the conservation challenges before us." - p.9

Radical Alternatives and Their Shortcomings

The authors also introduce the two radical alternatives mentioned, broad streams that have emerged in response to the inadequacies of mainstream conservation. The first, "New Conservation," proposes managing the entire planet as a "rambunctious garden," (as described by science journalist Emma Marris). It rejects wilderness ideals and aims to align conservation with economic growth and poverty alleviation. Its main failure is that embracing capitalism-for-conservation contradicts moving beyond the nature-culture dichotomies that capitalism depends on.

The second, "Neoprotectionism," advocates for setting aside (in its extreme form) at least half the planet as protected areas (the “Nature Needs Half” campaign). Advocates of this approach criticise the Anthropocene concept as distoring humans’ influence over nature, which is not evenly distributed, and downplaying the need to protect more spaces for "self-willed" wilderness. They see the anthropocene concept as license to accept human-induced changes rather than protecting nature's autonomy. Instead, they advocate reigning in capitalism's excesses.

Nevertheless, the neoprotectionist approach fails to address the fact that one can't simply separate nature and people to solve environmental issues - not least because by ringfencing nature there is no guarantee that the effects of capitalism will not be felt on the Nature side: after all, capitalism always aims at growth, and there is only so much earth. It also doesn't address poverty caused by both conservation and development.

While these alternatives present far-reaching challenges to mainstream conservation, they too are fraught with contradictions, particularly in their neglect of the historical intertwining of capitalism and the nature-culture dichotomy.

Convivial Conservation: A New Paradigm

The introduction then touches on the book's central proposal: "Convivial Conservation." This alternative paradigm starts from a political ecology perspective steeped in a critique of capitalist political economy. It rejects the dichotomies between nature and culture that have plagued conservation efforts for decades.

 "We see [the two radical proposals], rather, as a prelude to the fundamental transformation that is needed. This is where convivial conservation comes in." - p.9

The proposal is expanded upon in chapter 5.

The Changing Landscape of Conservation and Capitalism

Capitalism and the nature-culture dichotomy are deeply intertwined, and this relationship is undergoing rapid changes. The authors aim to make political choices clearer in what they refer to as the "Trump moment," a period where radical conservation choices are being made, often without adequate scrutiny or understanding of their long-term implications. Given their contemporaneousness, we can probably add to that category the implications for deforestation by Brazil’s then president Bolsonaro.


Chapter 1: Conservation in the Anthropocene

Chapter 1 captures the lived reality of a conservation community in crisis, grappling with how to move forward amidst divergent perspectives and inherent contradictions, and highlighting the urgent need for a new paradigm.

Fortress Conservation vs. Community-Based Conservation

We start by taking a look at the issues of the "great conservation debate." This debate has long been a battleground over the role of protected areas and their impact on local communities.

The first approach, "fortress conservation," has been critiqued for its tendency to displace local populations in the name of environmental protection. The second, "community-based conservation," seeks to integrate conservation and development, aiming for a more harmonious coexistence between humans and nature. We delve more into these later in chapters 2 and 3.
The Capitalist Turn in Mainstream Conservation

The theme of a turn to capitalism in mainstream conservation is reinforced in this chapter. Conservation is increasingly employing market-based instruments and framing nature as "natural capital" to be efficiently managed.

"We witness how conservation has become more central to global mainstream capitalist dynamics. Hence mainstream capitalism is quickly coming to grips with the importance of conservation to capitalist processes, even if this is mostly still discursive at present." - p.21

Radical Alternatives: New Conservation and Neoprotectionism

The two radical alternatives are mentioned again, this time positioned as emerging in response to the limitations of mainstream conservation. "New Conservation" proposes managing the planet as a "rambunctious garden," aligning conservation with economic growth and poverty alleviation. On the other hand, "Neoprotectionism" advocates for setting aside (at least) half the planet as protected areas, aiming to rein in the excesses of capitalism.

The Nature–Culture Dichotomy and the Need for a Coherent Framework

Exploring the complexities of the human-nature dichotomy is key to moving beyond the current crisis. Each position—mainstream, New Conservation, and Neoprotectionism—contains contradictions, especially concerning key concepts like intrinsic vs. exchange value and the separation vs. integration of humans and nature. They call for an evidence based, scientific approach:

"What is most fundamentally at stake here is the nature–culture dichotomy itself and how to relate scientific findings and endeavours to this binary – and vice versa." - p. 40
To make sense of these issues, a more consistent, coherent framework is required.
"What we therefore need is a more consistent, coherent frame and set of principles to make sense of the issues that both neoprotectionists and new conservationists struggle with." - p. 44-5

This sets the stage for the authors’ alternative proposal later on.


Chapter 2: Dichotomous Natures

 

The Nature-Culture Dichotomy

The nature-culture dichotomy.is one of the most enduring and contentious debates in conservation, and this chapter goes all the way in to investigate this conceptual underpinning of conservation. New conservationists advocate for dismantling this dichotomy:

"Central for new conservationists is the fact that conservation is not any longer something that is done behind symbolic and material fences or through the separation of ‘humans’ from ‘nature’. Instead, they stress that conservation must be done throughout all human activity, and especially economic activity." - p. 69
On the other hand, neoprotectionists typically defend traditional concepts like wilderness, and ringfencing nature to protect it from humans.

 

Capitalism's Role in Shaping the Dichotomy

Capitalism has historically co-produced the nature-culture dichotomy. This is evident in phenomena like the metabolic rift, which Marx described as “the process whereby the agronomic methods of agro-industrialisation abandon agriculture’s natural biological base, reducing the possibility of recycling nutrients in and through the soil and water.”

Capitalism's relentless drive for growth creates a separation between humans and nature that is devastating for nature:

“the nature–culture dichotomy is deeply problematic. World systems sociologist Jason Moore even argues that this ‘dualism drips with blood and dirt, from its sixteenth century origins to capitalism in its twilight’. The reason for making such a strong statement is that the specific nature–culture dichotomy inaugurated by the onset and development of capitalism allowed for new forms of rational, technocratic, mechanistic and profit-driven manipulation of nature – including humans and, especially, women." - p. 71

The Unintended Consequences of Conservation

Interestingly, conservation itself emerged partly as a countermeasure to the destruction wrought by capitalism. However, in doing so, it often reinforced the very dichotomies it aimed to dissolve, particularly through practices like the displacement of local populations from areas that were then designated as protected areas or wilderness reserves, and the separation between human habitats and protected areas.

The Limits of New Conservation

New conversationists, in spite of their attempts to reconcile the nature-culture dichotomy, cannot get around the fact that their approach is aligned with capitalism, contradicting their efforts:

"While new conservation aims to do away with certain nature–culture dichotomies, particularly that between the ‘wild’ and the ‘domesticated’, they do not discuss or even acknowledge other, subtler yet fundamental dichotomies that they establish or strengthen through their support for capitalist conservation." - p. 77

This points to the only reasonably conclusion, that to truly move beyond these dichotomies, we must engage with their roots in capitalism itself. 


Chapter 3: The Change Capitalism Makes

In Chapter 3 we delve further into the inherent contradictions and limitations of capitalist conservation, making it clear that an alternative is required that moves beyond the current alternatives.

Conservation and Capitalism

The chapter begins by laying bare the unsustainable nature of capitalism, an economic system driven by an insatiable demand for continual growth. This expansionary drive leads to a host of problems, including environmental crises, dispossession, and metabolic rifts between humans and nature:
"A substantial body of research has demonstrated that capitalism is an inherently expansionary system driven by a demand for continual growth in order to overcome the cyclical stagnation that afflicts it." - p. 78

The authors reiterate that conservation emerged partly as a countermeasure to the destruction caused by capitalism. However, in doing so, it often reinforced the very dichotomies and dispossessions it aimed to resolve.

"In other words – and this is a crucial argument in the book – conservation and capitalism have intrinsically co-produced each other, and hence the nature–culture dichotomy is foundational to both." - p.72

New Conservation vs. Neoprotectionism

The chapter scrutinises the approaches of both new conservationists, who embrace capitalist growth, and neoprotectionists, who increasingly question the tenets of growth, consumerism, and development. It argues that neither approach sufficiently addresses the capitalist imperatives that drive environmental degradation.

They ciritique neoprotectionism for not engaging with the problems that capitalism poses:

"The question of how to tackle capitalist imperatives of growth and consumerism therefore remains rather vague, and certainly not answered by a focus on protected areas or rewilding." - p. 93
They also critique the neoprotectionists' "half earth" concept, which advocates for setting aside half of the Earth as protected areas. The authors argue that this approach increases the rift between humans and nature without adequately addressing the poverty and inequality that are often exacerbated by both conservation and development initiatives.
"Yet their ‘half earth’ proposal, as we argued, does little to solve historical deprivations caused by both conservation and development, including mass poverty. This idea demands that we refocus attention on the close links between conservation and development. Not only is this crucial in order to do justice to the – very real – poverty caused by conservation, but also to demystify development’s history and potential. After all, capitalist growth and consumerism are often referred to as – or even replaced with – the more general and positive-sounding ‘development’." - p. 80

The Conflation of Conservation and Capitalist Development

Things get worse. Conservation and capitalist development have not only become increasingly intertwined, it has come to the point where some view them as identical, particularly through the lens of "natural capital."

"Yet capitalist conservation is contested in many other ways as well. Researchers, for example, worry that efforts to economically value natural resources as the basis for their conservation risk reducing their intrinsic, aesthetic and cultural values." - p. 113

The Need for Radical Change

The authors conclude the chapter by emphasising the need for radical change, arguing that the contradictions of capitalist conservation—manifested in phenomena like financialisation and green militarisation—demonstrate the urgent need to move beyond capitalism:

"Quite the opposite: the change that capitalism makes increasingly demonstrates that it is the political economic system that needs to change; that more people need to become (even more) serious about moving beyond capitalism, the nature it conserves and the types of development it embodies altogether." - p. 114

 

Chapter 4: Radical Possibilities

 

Convivial Conservation as a Transition Discourse

The authors position Convivial Conservation as one of many "transition discourses," joining a broader river of transformative ideas that range from "buen vivir" in Bolivia to Kate Raworth’s "doughnut economics."

"Our proposal should be seen as one of many confluent streams contributing to a much larger river of what Arturo Escobar calls 'transition discourses' and what McKenzie Wark refers to as acts of 'alternative realism'." - p. 147

The Imperative of Degrowth

One of the chapter's key arguments is that Convivial Conservation must flow together with the concept of degrowth. This is a radical departure from the growth-dependent conservation models tied to capitalism.
"If conservation is tied to capitalism and capitalism necessitates growth, then degrowth, in its more radical incarnation, means moving beyond capitalism and hence should have profound consequences for conservation." - p. 152

Redirecting Resources

Convivial Conservation aims to bypass the need for funding through growth by redirecting resources to support both biodiversity protection and the livelihoods of local people:

"Rather than seeking to generate additional finance through spurring further economic growth, therefore, we will argue that convivial conservation must seek to redirect resources from other arenas to support both biodiversity protection and the livelihoods of local people who depend on them." - p. 153

Reclaiming Revolution

Büscher and Fletcher go on to argue that merely thinking and imagining beyond capitalism is in itself a revolutionary act. This is a call to reclaim the idea of revolution itself, to make it a part of our collective consciousness.
 

A Broader Revolutionary Context


The authors stress that Convivial Conservation is not an isolated proposal but connects to many ongoing struggles for social and environmental justice within a broader revolutionary context:
 
"Convivial conservation must be pursued within a broader revolutionary context of degrowth and sharing the wealth that promotes mixed landscapes in which humans and nonhumans coexist rather than being separated by promoting radical redistribution of resource ownership and control through reining in the power of global corporations." - p. 156-7

 

Chapter 5: Towards Convivial Conservation


Finally, in Chapter 5 the authors introduce Convivial Conservation - a slightly awkward word that nevertheless captures their intention to enable truly open, creative, and non-commodified relationships between humans and nonhuman natures.

A Postcapitalist, Nondualist Approach


We are by now familiar with the authors’ two key concerns of the nature-culture dichotomy, and capitalism with all the problems it poses for conservation. They introduce Convivial Conservation as a postcapitalist and nondualist paradigm. It focuses on "living with" rather than separating humans and nature, challenging the dualistic thinking that has long plagued conservation efforts.

The Vision


They outline a comprehensive vision that includes moving from protected to promoted areas, saving both human and nonhuman nature, engaged visitation, everyday environmentalism, and democratic governance.

At its core, convivial conservation moves beyond rigid divides between humans and nature. It envisions conservation not as "protecting nature from people" but as "promoting nature for, to and by humans." As the authors explain, "The principal goal of special conservation areas should not be to protect nature from humans but to promote nature for, to and by humans. They should transition from protected to ‘promoted areas’." (p. 163).

This entails a shift away from short-term tourist visits towards long-term, democratic engagement with both everyday and spectacular natures. In the words of the authors, "Under convivial conservation, the emphasis will be on long-term democratic engagement rather than on short-term voyeuristic tourism or elite access and privilege." (p. 169)

Critically, convivial conservation requires democratic involvement in conservation governance, rather than control by distant technocratic experts. The authors highlight that "Convivial conservation grounded in radical ecological democracy would require that the value of natural resources be determined locally rather than in abstract global (and increasingly algorithm-based, computerized) markets." (p. 173)

Transitioning to convivial conservation also means moving away from reliance on capitalist markets and growth. As the authors make clear, "Convivial conservation cannot and will not prioritize capital in making decisions about resource allocations, how to manage promoted areas, how to celebrate nature or how to organize engaged visitation." (p. 173)

Change requires a multi-faceted approach that targets power across different scales, social groups, and timeframes. This involves a two-step strategy that "does not separate but rather combines (radical) reformism and radical, systemic change away from capitalist modes of production, valuation, exchange and living" (p. 179) and engagement across various actor categories, each with differential impacts on conservation.

This vision covers a whole range of actions including historic reparations, a conservation basic income, rethinking corporate relations, integrated landscapes, democratic governance, and alternative funding mechanisms. These actions are not just theoretical but are grounded in the lived realities of communities and ecosystems.

Importantly, Convivial Conservation is presented as a loose set of principles designed for participatory co-creation rather than a rigid, one-size-fits-all plan. It is part of a broader collective effort that invites contributions from various stakeholders.
 

Conclusion: Revolution!


In short, "The Conservation Revolution" is a summons to revolution.

The authors remind us that the term "radical" is derived from the Latin words 'radix' or 'radic,' meaning 'roots.' In this sense, being radical means going to the root of the issue, something that current capitalist conservation strategies fail to do despite their seemingly extreme proposals.

Convivial conservation is presented as an act of "alternative realism," a paradigm that imagines conservation outside the constraints of capitalist logic. It's a vision that dares to dream of a different world, one where conservation is not commodified but is instead integrated into the fabric of our social and economic systems.

The Urgency of the 'Trump Moment'


The authors argue that the election of Donald Trump has made it even more dangerous not to challenge the capitalist drivers behind biodiversity destruction. This "Trump moment" exposes the refusal of mainstream conservation to support the radical changes that are desperately needed.

Nevertheless, the choices are pretty clear: redistribute control over resources and transition to an equitable, post-growth economy. These are not options but necessities if we are to address the root causes of biodiversity loss and climate change.

Critical scholars also have an important role to play. They must stake out clear positions and ally themselves with broader movements for just change. Intellectual critique must be accompanied by active participation in shaping alternatives, rather than just pursuing ivory tower academic work and shying away from the realities.
 

My take


This has been a tight read with a clear eye on pointing a way out of the current stalemates in conservation discourse. While I am largely enthused, I do feel that nature-culture integration requires a broad educational thrust that does not fantasise about nature, but acknowledges the sheer difference between species, and why the landscape will be difficult to integrate.

It will require understanding and respect, and solving numerous problems. As any farmer will tell you, predators and livestock - let alone humans - do not mingle well. Yet in this integrated landscape of biodiversity we will need apex predators, and every kind of fauna and flora, to realise Büscher and Fletcher's inspiring vision.

Monday, May 22, 2023

Language learning with ChatGPT

Just the other night, I was musing over my unsatisfactory efforts in language learning. Then a moment of inspiration struck: why not put ChatGPT to the task of mimicking a language companion?

I put it to the test with Swedish, a language in which my proficiency only extends to the most rudimentary phrases. Lo and behold, after a bit of trial and error, I found the experience to be quite the linguistic adventure - with the added bonus of having a detailed record of the journey. Handy, eh?

Now, to be fair, this is a beast of a different nature compared to structured learning platforms such as Duolingo and Rosetta Stone, with their arsenal of multimedia aids. But I've always been a fan of diving straight into conversation, even if I initially flounder like a fish out of water. Why, you may ask? Well, because it nudges me to focus, which really speeds up the learning process. That, and the experience of having a conversational partner, which is an absolute memory booster.

My curiosity piqued, I scoured the Internet to see if other brave souls have been utilising ChatGPT as a language partner. It appears to have been employed more often as a kind of interactive Babel Fish. Marvellous and malleable as that may be, it rather resembles the previous breed of translation apps, including Google Translate.

In my humble opinion, the true power of ChatGPT as a language learning aid lies in its ability to help conjure up a more immersive learning environment. It's not perfect, obviously, and you have to put in the effort. But that is sort of part of the point. Want to learn Greenlandic whilst trudging through a simulated icy tundra? Now you can (probably). The sky's the limit - or rather, your imagination is.

Below is my interaction thus far:

Me:


Pretend that you are teaching me Swedish. My name is Auguste, and I am from London, coming to study in Stockholm, and you are a language teacher and friend called Bjorn, teaching me Swedish. We are meeting in a Swedish cafe. You are guiding me as to the language and culture of Sweden (and Stockholm in particular). My Swedish is at beginner level, and as a result you find you have to help me a lot, often using English, at which you are fluent. The way that you like to teach is through very simple conversation, gauging my level and then pulling me further along. For each interaction, wait for me to respond before offering your own response, in other words do not answer on my behalf - I will answer for myself.


ChatGPT:


Hej Auguste! Welcome to Stockholm! This is one of my favorite cafés, known for its Fika culture. Do you know about Fika?


Me:


Hej Bjorn! Great to be here. No I don't, what is Fika?


ChatGPT:


"Fika" is a very important concept in Swedish culture. It's a bit like a coffee break, but it's more than that. It's a time for socializing, relaxing, and often includes having coffee or tea with a sweet pastry. Fika can be with friends, family, or colleagues. It's an integral part of Swedish daily life and work-life balance. In fact, this café is a great place to have a 'fika'. Now, how about ordering? Would you like me to help you with that?


Me:


Oh that sounds great, I think I will enjoy participating in 'Fika'. How do you say that? Yes let's order. I would like to get a coffee and a typical Danish pastry. What would you recommend? For the coffee, I think the right way is "Jag vil bestalla en kaffe", or something like that, but how do I say I would like it Cortado style? Or is there a more Swedish style of coffee that you would recommend?


ChatGPT:

Yes, you're quite right about how to order coffee! "Jag vill beställa en kaffe" is the way to say it. If you want to order a cortado, you can say "Jag vill ha en cortado." The words "vill ha" mean "want" in Swedish.

But in Sweden, we commonly drink brewed coffee. It's quite different from Italian espresso-based drinks, but still worth trying. You can order it by saying "Jag vill ha ett bryggkaffe."

As for the pastry, instead of a Danish pastry, I would recommend trying a 'kanelbulle', a Swedish cinnamon roll, or perhaps a 'semla', which is a cardamom-spiced wheat bun filled with almond paste and whipped cream, though it's traditionally eaten around Lent. You can order a kanelbulle by saying, "Jag vill också ha en kanelbulle."

Let's give it a try!

Me:


Ok great, thank you! [We go to the counter to the order, assuming that is the right protocol here]. I say: "Hej! Jag vill beställa en kaffe. Ja vil ha ett bryggkaffe." The chap behind the counter smiles at my pronunciation but seems to appreciate the effort. I think next he will say "Would you like anything else?" But I am not sure how that goes. Perhaps you can create his dialogue and I will try to answer.


ChatGPT:

That's perfect, Auguste! I am sure the person at the counter understood you. In response to your order, he would most likely ask: "Vill du ha något annat?" which means "Would you like anything else?"

Go ahead and reply with your pastry order!

Me:


"Tack, jag vill också ha en kanelbulle."


ChatGPT:

That was very well said, Auguste! Your pronunciation is getting better. I'm sure the kanelbulle will be a great treat along with the bryggkaffe.

Now, after you've placed your order, you might hear the barista say "Något mer?" which means "Anything else?". If you're finished ordering, you can say "Nej, det är allt, tack." which means "No, that's all, thank you."

Go ahead and try it!

Me:


I shake my head and say: "Nej, det är allt, tack." I guess now we have to pay?


ChatGPT:

Yes, that's right, Auguste! Now, it's time to pay. The cashier might say, "Det blir 75 kronor, tack," which means, "That will be 75 kronor, thank you." You can respond by saying, "Jag betalar med kort," if you're paying by card, or "Jag betalar kontant," if you're paying with cash. Both phrases mean "I am paying with card/cash."

You're doing really well! Swedish isn't the easiest language, but you're picking it up nicely. Keep it up!

Me:


Thanks. I say "Jag betalar kontant" and count out exactly 75 kronor. While waiting as the barista makes the coffee, you talk about cafe culture in Swedish - nothing too complicated - to test my understanding. Do not provide a translation immediately, but first see how much I understood.


ChatGPT:

That's great, Auguste! Now, while we're waiting, let me share a bit about Swedish café culture. "I Sverige älskar vi våra kaféer. Det är platser där vi tar en paus, träffar vänner eller bara njuter av en god kopp kaffe. Fika är en viktig del av denna kultur. Vi tar alltid tid för en fika, oavsett hur upptagen dagen kan vara."

Now, can you tell me what you understood from this?

Me:


Ok, I think you are saying that "In Sweden, everybody likes to go to cafés. There are places you can go for a break and drink a good cup of coffee [this is a long sentence and I don't think I understood everything]. Fika is an integral part of the culture. We always make time for a fika, as it helps you get through the day." I might need some help with that, haha.


ChatGPT:

You did a great job, Auguste! You got the main ideas. The longer sentence you mentioned was about cafés being places where Swedes take a break, meet with friends, or simply enjoy a good cup of coffee. So you were mostly right there.

But don't worry, Swedish is a tricky language to learn and you're doing wonderfully. Keep practicing like this and soon you'll be quite proficient. Shall we continue our fika?

Me:


Could you give me a direct translation of the whole paragraph? Yes, absolutely, let's continue our fika, this is a great way to learn and relax at the same time.


ChatGPT:

Of course, Auguste. The direct translation would be: "In Sweden, we love our cafés. They are places where we take a break, meet friends or just enjoy a good cup of coffee. Fika is an important part of this culture. We always take time for a fika, regardless of how busy the day may be."

And I'm glad to hear you're enjoying our fika. It's indeed a pleasant and sociable way to learn. Let's continue with our conversation. Perhaps you can tell me about your experiences in Stockholm so far - first in English, and then we can work on how to express it in Swedish. What do you think?

Notes

  1. Google Translate tells me that Bjorn's translations are accurate, so that's good. However, knowing ChatGPT can be confident when saying wrong things it's definitely worth double checking if in doubt.
  2. In my first paragraph I asked multiple questions, and ChatGPT missed the first one. "I think I will enjoy participating in 'Fika'. How do you say that?" Admittedly, it was a little ambiguous in the context of the paragraph even if, in person, it would have been a natural question to ask. As always with ChatGPT, clarity and guidance goes a long way.
  3. I tried running some of ChatGPT's conversation through a text-to-speech app (Speechify's online version). I realised pretty quick that it won't work without some backend tweaking, as individual voices are language specific. However, one approach that just about works is to use the voice of the language you want to learn. When voicing the language to be learned - Swedish, in this case - it will sound correct. Voicing the other language (English, in this case) will sound jarring, but mostly understandable.

Saturday, December 31, 2022

ChatGPT rewrites The Masque of the Red Death

ChatGPT is pretty good at writing prose and, to a greater or lesser extent, can imitate different writing styles. So I wondered if it could write The Masque of the Red Death in a kind of modernist, stream-of-consciousness style. The answer is maybe, but not this time. 

The result is not too much like Woolf's or Joyce's prose, but it is very readable and is probably more accessible than the original, at least to the modern reader.

Note: ChatGPT can only generate a limited amount of text at a time, so to coax ChatGPT into writing the story in chunks, rather than trying to summarise it all at once, I had to prompt it with something like "Rewrite the following text from Poe's The Masque of the Red Death in the first person past tense from the point of view of a guardian knight, using a highly emotional, stream-of-consciousness style with interior monologue similar to that of Virginia Woolf and James Joyce. Be sure not to use any of the original sentences, and use evocative, painterly metaphors:" and "Continue the story from the perspective of the knight by rewriting the following text in the same vein. Be sure not to use any of the original sentences, and use evocative, painterly metaphors."

The Masque of the Red Death, in the style of Woolf and Joyce

 I was a guardian knight for the Prince Prospero, sworn to protect him at all costs. The Red Death had ravaged the land for months, leaving a trail of blood and despair in its wake. Its symptoms were brutal - sharp pains, dizziness, and then the inevitable bleeding from every pore, until death. The scarlet stains that marked its victims were a curse, condemning them to isolation and loneliness. The whole ordeal lasted just half an hour, but it was a lifetime of suffering.

But the prince was different. He was happy, fearless, and wise. As the plague decimated his kingdom, he called upon a thousand of his closest friends and knights, including myself, to join him in a secluded abbey. It was a grand and opulent structure, built to the prince's own unique taste, with high walls and iron gates. We all worked together to weld the gates shut, determined to keep out any impulses of despair or madness. The abbey was stocked with everything we needed to weather the storm - food, entertainment, wine, and beauty. The outside world could fend for itself, as long as we had each other and all the comforts within.

It was at the height of the plague, during the fifth or sixth month of our isolation, that the prince threw a masked ball of extraordinary splendor.

It was a luxurious masquerade, held in seven irregularly shaped rooms - an imperial suite. Most palaces have straight corridors with folding doors that slide open to reveal the full length of the suite, but not here. The prince had a taste for the bizarre, and each room was arranged in a way that only allowed a limited view at a time. There were sharp turns every twenty or thirty yards, each one revealing a new surprise. On either side of the walls, tall and narrow Gothic windows looked out onto a closed corridor that followed the twists and turns of the suite. The windows were made of stained glass, each one a different color corresponding to the hue of the room it opened into. The eastern room was blue, the second purple, the third green, the fourth orange, the fifth white, the sixth violet. The seventh room, however, was shrouded in black velvet tapestries that covered the ceiling and walls, falling in heavy folds onto a carpet of the same color. The windows in this room were scarlet, a deep blood color. None of the rooms had any lamps or candelabra, but in the corridors outside each window stood a heavy tripod with a brazier of fire that cast its rays through the tinted glass, brightly illuminating the rooms. This created a multitude of dazzling and fantastical appearances. But in the western, or black, room, the firelight streaming through the blood-tinted windows gave a ghastly appearance, causing many of the guests to avoid setting foot inside.

It was in the western room where a massive ebony clock stood against the wall. Its pendulum swung back and forth with a dull, heavy, monotonous clang, and when the minute hand completed a circuit of the face, the clock struck the hour with a clear, loud, deep, and extremely musical note that was so peculiar it caused the musicians in the orchestra to pause momentarily in their performance, and the waltzers to stop their dancing. The whole company was momentarily disconcerted, and even the giddiest of guests grew pale while the more mature ones passed their hands over their brows as if in confusion or contemplation. But as soon as the echoes had fully faded, light laughter filled the room as the musicians smiled at their own nervousness and made whispered vows to each other not to be affected by the next chime. Sixty minutes later, when the clock struck again, there was the same disconcert and hesitation among the guests.

Despite these moments of unease, it was a lavish and magnificent celebration. The prince had a unique taste for color and effects, disregarding the traditional decorations of fashion. His plans were bold and fiery, and his ideas glowed with a barbaric radiance. Some might have thought him mad, but those who knew him understood that he was not. It was necessary to see, hear, and touch him to be sure.
The prince had taken great care in decorating the seven rooms for the masquerade, and it was his own unique taste that gave character to the costumes of the guests. They were certainly bizarre, with mismatched limbs and extravagant adornments, delirious fancies, and a mix of the beautiful, wanton, and grotesque, with a hint of terror and disgust. The rooms were filled with a multitude of dreams that seemed to writhe and take on the hues of the rooms, and the wild music of the orchestra seemed like the echo of their steps. Suddenly, the ebony clock in the hall would strike, causing a moment of stillness and silence, as the dreams froze in place. But as the chimes faded, a light, half-subdued laughter followed them as they retreated. The music would swell again, and the dreams came back to life, writhing more merrily than before, taking on the colors of the tinted windows through which the light from the tripods streamed. But no one dared venture into the westernmost room, where the night was drawing to a close and a ruddier light shone through the blood-colored windows. The blackness of the sable drapery was intimidating, and the muffled peal of the nearby ebony clock, more solemn and emphatic than any of the other rooms, echoed through the chamber.

But while the western room was empty, the other rooms were densely crowded, pulsing with the energy of life. The revelry continued until midnight, when the music stopped and the dancing slowed, replaced by a tense stillness. The clock struck twelve times, and as the last echoes faded, many in the crowd found themselves noticing a masked figure that had not been there before. The rumor of this new presence spread quickly, and there was a whisper of disapproval and surprise, followed by fear, horror, and disgust. In a crowd of phantoms such as the ones at the masquerade, it would take a truly extraordinary appearance to stir such a reaction. The masker had gone beyond even the prince's loose standards of propriety, with a costume and bearing that showed no wit or propriety. The figure was tall and gaunt, dressed in the clothes of the grave and wearing a mask that so closely resembled a stiffened corpse that it took close scrutiny to see the deception. But the masker had gone even further, taking on the appearance of the Red Death itself. The costume was splattered with blood, and the broad forehead and features were sprinkled with the scarlet horror.

When the prince laid eyes on the ghostly figure, which moved slowly and solemnly among the waltzers as if to fully embrace its role, he was first overcome with terror or disgust, followed by anger. "Who dares to insult us with this blasphemous mockery?" he demanded hoarsely of the nearby courtiers. "Seize him and unmask him so we can hang him from the battlements at sunrise!" His words rang clearly through the seven rooms as he stood in the eastern room, the blue one. He was a bold and robust man, and the music had stopped at the wave of his hand.

The prince stood in the blue room with a group of pale courtiers by his side. As he spoke, the group began to move towards the intruder, who approached the prince with stately steps. But no one put forth a hand to seize him, out of fear of the madman's assumptions, and he passed within a yard of the prince's person. He made his way through the blue room to the purple, then to the green, orange, white, and violet, before anyone moved to stop him. The prince, filled with rage and shame at his own cowardice, rushed through the six rooms with a drawn dagger, pursuing the figure. He approached within a few feet of the retreating figure, but as he reached the end of the violet room, the figure turned and faced him. The prince let out a sharp cry and dropped the dagger as he fell to the ground, dead. The other revelers summoned the courage of despair and rushed into the black room, seizing the tall, motionless figure in the shadow of the ebony clock. But they were horrified to find the grave clothes and corpse-like mask were empty, with no tangible form inside.

The Red Death had arrived like a thief in the night, and one by one, the revelers fell to the ground, covered in blood, and died in despair. The life of the ebony clock went out with the last of the revelers, and the flames of the tripods extinguished. Darkness, decay, and the Red Death held sway over all.