Saturday, March 08, 2014

Promising the Waste Land

My previous post outlined how poetry can reclaim an influential place in the internet era. To illustrate a way of actioning the idea, I have created this new genre's * first ever poem.

First, a bit of background. Two years ago I walked down the neighbourhood high street with my companion. An old shop space, recently boarded up, sported bright big letters on the outside that said: "Exciting new gallery space! Coming soon". My companion was surprisingly enthused by it, whereas I couldn't muster any excitement at all. The area is full of artists and studios, and such a blatant commercial statement seemed a little heavy-handed. Sure enough, a year later the banners, now a little worse for wear, were still there. As yet there was no sign of the "exciting new gallery space".

Naturally, I was amused.

It was a reminder that commerce, and consumerism in particular, often interacts with human desire through a hall of mirrors to project value where none may be. It is also an indication that commerce relies on, and may succeed, through its ability to occupy space - even when the space itself is vacant or infertile. Its ability to occupy space lends credibility to its promise.

The poem I created takes inspiration from this idea. It is called "Promising the Waste Land". As explained, it lets the domain speak its name, and is therefore located at www.promisingthewasteland.com.

By promising The Waste Land, arguably the single most influential poem of the 20th century, it is promising the extraordinary and improbable. Yet by offering a waste land, namely an empty site, it delivers on its promise.

But there is a second, more meaningful sense in which it promises The Waste Land. By claiming a space it mirrors the emerging commercial and political interests of the internet. In other words, it is a signal of intent. It suggests no less than an ambition to refresh poetry for the internet era.

Go forth and conquer!

* We may call this new genre web poetry in the true sense of the word, because it uses (at least in part) the fabric of the internet to manifest itself.

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